Titian - traducción al ruso
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  3. Titian

Titian - traducción al ruso


Titian         
  • ''[[Woman with a Mirror]]'', c. 1515, [[Louvre]].<ref> [http://merovingio.c2rmf.cnrs.fr/iipimage/ENI_Tiziano/ Scientific images of this painting] are available, with explanations, on the website of the French Centre for Research and Restoration of the Museums of France).</ref>
  • ''Pietà'']], c.&nbsp;1576, his last painting. [[Gallerie dell'Accademia]], Venice.
  • Allegory of Profane Love (detail of ''[[Sacred and Profane Love]]'')
  • ''[[Equestrian Portrait of Charles V]]'', 1548, [[Museo del Prado]]
  • Tomb of Titian in [[Santa Maria Gloriosa dei Frari]], Venice
  • 1546–47}}
  • Orazio]], and his nephew, [[Marco Vecellio]]. [[National Gallery]], London.
  • Diana and Actaeon]]'', 1556–1559.<br> [[National Galleries of Scotland]], Edinburgh.
  • ''Drowning of Pharaoh's Army in the Red Sea'', 1515-17, woodcut, 221.5 cm wide
  • ''[[A Man with a Quilted Sleeve]]'', c.&nbsp;1509, [[National Gallery]], London
  • ''[[Bacchus and Ariadne]]'', c.&nbsp;1520–1523. [[National Gallery]], London.
  • ''[[Portrait of Federico II Gonzaga]]'', c.&nbsp;1529. [[Museo del Prado]], Madrid.
  • ''[[Sacred and Profane Love]],''1514, [[Galleria Borghese]], Rome
  • Pesaro altarpiece]], 1521–26, [[Santa Maria Gloriosa dei Frari]], Venice
  • Frari]] church in Venice. Its dynamic three-tier composition and colour scheme established him as the preeminent painter north of Rome.
  • Rubens]] admired and copied. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colours, and vibrant brushstrokes.
  • ''Judith'']]; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian [[courtesan]]s as models. [[Galleria Doria Pamphilj]], Rome.
  • Venus and Organist and Little Dog]]'', c.&nbsp;1550. [[Museo del Prado]], Madrid.
ITALIAN PAINTER (C.1490-1576)
Tiziano Vecellio; Tizian; Tiziano; Vecellio Titian; Da Cadore; Tiziano Vecelli; Titianesque; Titian (Tiziano Veccellio)

['tiʃ(ə)n]

прилагательное

общая лексика

золотисто-каштановый (особ. о волосах)

золотисто-каштановый (особ. о волосах)

Titian         
  • ''[[Woman with a Mirror]]'', c. 1515, [[Louvre]].<ref> [http://merovingio.c2rmf.cnrs.fr/iipimage/ENI_Tiziano/ Scientific images of this painting] are available, with explanations, on the website of the French Centre for Research and Restoration of the Museums of France).</ref>
  • ''Pietà'']], c.&nbsp;1576, his last painting. [[Gallerie dell'Accademia]], Venice.
  • Allegory of Profane Love (detail of ''[[Sacred and Profane Love]]'')
  • ''[[Equestrian Portrait of Charles V]]'', 1548, [[Museo del Prado]]
  • Tomb of Titian in [[Santa Maria Gloriosa dei Frari]], Venice
  • 1546–47}}
  • Orazio]], and his nephew, [[Marco Vecellio]]. [[National Gallery]], London.
  • Diana and Actaeon]]'', 1556–1559.<br> [[National Galleries of Scotland]], Edinburgh.
  • ''Drowning of Pharaoh's Army in the Red Sea'', 1515-17, woodcut, 221.5 cm wide
  • ''[[A Man with a Quilted Sleeve]]'', c.&nbsp;1509, [[National Gallery]], London
  • ''[[Bacchus and Ariadne]]'', c.&nbsp;1520–1523. [[National Gallery]], London.
  • ''[[Portrait of Federico II Gonzaga]]'', c.&nbsp;1529. [[Museo del Prado]], Madrid.
  • ''[[Sacred and Profane Love]],''1514, [[Galleria Borghese]], Rome
  • Pesaro altarpiece]], 1521–26, [[Santa Maria Gloriosa dei Frari]], Venice
  • Frari]] church in Venice. Its dynamic three-tier composition and colour scheme established him as the preeminent painter north of Rome.
  • Rubens]] admired and copied. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colours, and vibrant brushstrokes.
  • ''Judith'']]; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian [[courtesan]]s as models. [[Galleria Doria Pamphilj]], Rome.
  • Venus and Organist and Little Dog]]'', c.&nbsp;1550. [[Museo del Prado]], Madrid.
ITALIAN PAINTER (C.1490-1576)
Tiziano Vecellio; Tizian; Tiziano; Vecellio Titian; Da Cadore; Tiziano Vecelli; Titianesque; Titian (Tiziano Veccellio)
Titian adj. золотисто-каштановый (особ. о волосах)
Titianesque         
  • ''[[Woman with a Mirror]]'', c. 1515, [[Louvre]].<ref> [http://merovingio.c2rmf.cnrs.fr/iipimage/ENI_Tiziano/ Scientific images of this painting] are available, with explanations, on the website of the French Centre for Research and Restoration of the Museums of France).</ref>
  • ''Pietà'']], c.&nbsp;1576, his last painting. [[Gallerie dell'Accademia]], Venice.
  • Allegory of Profane Love (detail of ''[[Sacred and Profane Love]]'')
  • ''[[Equestrian Portrait of Charles V]]'', 1548, [[Museo del Prado]]
  • Tomb of Titian in [[Santa Maria Gloriosa dei Frari]], Venice
  • 1546–47}}
  • Orazio]], and his nephew, [[Marco Vecellio]]. [[National Gallery]], London.
  • Diana and Actaeon]]'', 1556–1559.<br> [[National Galleries of Scotland]], Edinburgh.
  • ''Drowning of Pharaoh's Army in the Red Sea'', 1515-17, woodcut, 221.5 cm wide
  • ''[[A Man with a Quilted Sleeve]]'', c.&nbsp;1509, [[National Gallery]], London
  • ''[[Bacchus and Ariadne]]'', c.&nbsp;1520–1523. [[National Gallery]], London.
  • ''[[Portrait of Federico II Gonzaga]]'', c.&nbsp;1529. [[Museo del Prado]], Madrid.
  • ''[[Sacred and Profane Love]],''1514, [[Galleria Borghese]], Rome
  • Pesaro altarpiece]], 1521–26, [[Santa Maria Gloriosa dei Frari]], Venice
  • Frari]] church in Venice. Its dynamic three-tier composition and colour scheme established him as the preeminent painter north of Rome.
  • Rubens]] admired and copied. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colours, and vibrant brushstrokes.
  • ''Judith'']]; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian [[courtesan]]s as models. [[Galleria Doria Pamphilj]], Rome.
  • Venus and Organist and Little Dog]]'', c.&nbsp;1550. [[Museo del Prado]], Madrid.
ITALIAN PAINTER (C.1490-1576)
Tiziano Vecellio; Tizian; Tiziano; Vecellio Titian; Da Cadore; Tiziano Vecelli; Titianesque; Titian (Tiziano Veccellio)

[tiʃə'nesk]

прилагательное

общая лексика

тицианов(ский)

Definición

Titian
['t??(?)n]
¦ adjective (of hair) bright golden auburn.
Origin
C19: from the 16th-cent. Italian painter Titian, by assoc. with the bright auburn hair portrayed in many of his works.
Mostrar más definiciones

Wikipedia

Titian
; Museo del Prado, Madrid.
https://en.wikipedia.org/wiki/Titian
Ejemplos de uso de Titian
1. Others, including pieces by Van Gogh, Rembrandt, Velasquez, Goya, Rubens, Brueghel, Titian and Tintoretto, remain lost.
2. And someone else." Old Master dealer Simon Dickinson said: "It looks like perfect early Titian . . . the handling looks like early Titian, the way the shirt is painted, and the face.
3. A spokesman for Lord Halifax confirmed that the Titian would be offered for sale.
4. Gardner‘s instructions, to showcase her art – which includes paintings by Titian, Rembrandt, and Sargent.
5. Negotiations over the Titian have been taking place between the National and the Earl since 2003.
¿Cómo se dice Titian en Ruso? Traducción de &#39Titian&#39 al Ruso
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